{"id":82,"date":"2024-04-17T03:48:31","date_gmt":"2024-04-17T03:48:31","guid":{"rendered":"https:\/\/admgradshow.com\/?post_type=student&#038;p=82"},"modified":"2024-05-06T07:20:09","modified_gmt":"2024-05-06T07:20:09","slug":"roger-ng-wei-lun","status":"publish","type":"student","link":"https:\/\/admgradshow.com\/adm2024\/student\/roger-ng-wei-lun\/","title":{"rendered":"Roger Ng Wei Lun"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Since the formation of the 1971 New Culture Policy, the Malaysian government has been promoting national integration through one national culture. The mixed-media installation, titled <\/span>\u2018<em>Menjadi Rimau<\/em>\u2019<span style=\"font-weight: 400;\">, seeks to conceptualize <em>Bangsa Malaysia<\/em> in cultural terms and to offer a critical perspective on the nation&#8217;s cultural identity.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Composed from speculative artifacts, textiles and moving images, the installation proposes an alternative socio-political and cultural imagination where the tiger is presented as a supra-ethnic national identity. In this imagined space, the tiger \u2018unified\u2019 the people of the nation across their differences and their \u2018lost origins\u2019 caused by the history of enforced diasporas.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">By re-examining a collective historical and mythological narrative, \u2018<em>Menjadi Rimau<\/em>\u2019 serves as an open dialogue on diaspora identities in Malaysia, prompting a reflection on our cultural belonging to <em>Bangsa Malaysia<\/em>. Between fiction and fact, the work hopes to dissect cultural pluralism as part of a colonial heritage, and to offer a critical and poetic exploration of post-colonial discourses, mythology and diasporas.<\/span><\/p>\n","protected":false},"featured_media":85,"template":"","major":[8,6],"pathway":[9,11,12],"trait":[13,14,15],"class_list":["post-82","student","type-student","status-publish","has-post-thumbnail","hentry","major-interaction","major-product-design","pathway-research-buff","pathway-independent-hustle","pathway-employment","trait-storytellers","trait-thinkers","trait-explorers"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Roger Ng Wei Lun - ADMGRADSHOW 2024<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/admgradshow.com\/adm2024\/student\/roger-ng-wei-lun\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Roger Ng Wei Lun - ADMGRADSHOW 2024\" \/>\n<meta property=\"og:description\" content=\"Since the formation of the 1971 New Culture Policy, the Malaysian government has been promoting national integration through one national culture. The mixed-media installation, titled \u2018Menjadi Rimau\u2019, seeks to conceptualize Bangsa Malaysia in cultural terms and to offer a critical perspective on the nation&#8217;s cultural identity. 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